

| OFFICIAL NEWSLETTER OF THE ROSALIE WHYEL MUSEUM OF DOLL ART |
| 1116 - 108th Avenue NE* Phone: (425) 455-116 * Fax: (425) 455-4793 |
| ROSIE’S TOO * 221 106th Ave NE Bellevue * (425) 455-0363 |
| Vol.XI , No | Spring 2003 |
Inside this edition of Small Wonders...
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In the Glow of the Gas Lights: |
May 24th – November
16th, 2003 |
A veritable constellation of stars of
the early stage and screen will be “appearing” at the Museum in
our next changing gallery exhibit, as nineteenth and early twentieth century
theater luminaries are represented in doll form. The dolls portray twenty-five
actresses at the height of their careers, including Sarah Bernhardt, Maude Adams,
Ethel Barrymore and Jane Cowl, circa 1873, 1897, 1915, and 1925, respectively.
All are authentically costumed in the popular fashions of the day. Sharing the
stage with the dolls will be early photographs of the actresses, playbills and
other artifacts, including a dressing room mirror once belonging to Lillie Langtry.
The dolls are one segment of a three-part series
of dolls which also includes twenty-six child dolls dressed in historical costuming
which were featured in our changing gallery exhibit, “In their Image:
Character Children” two years ago, and thirty dolls dressed in ethnic
costuming, representing fifteen Asian and European countries, scheduled to be
shown next year.
The dolls were produced in the late 1920s by the L & R Baitz Company of
Berlin. Lilli Baitz sculpted the doll heads and commissioned a family of Austrian
artists to complete the dolls. All three sets of dolls were commissioned by
an American antiques dealer, who exhibited them around the country for several
years prior to selling them to the founder and owner of the Traphagen School
of Fashion, Ethel Traphagen, in 1937.
For five decades the dolls were employed as instructional tools for students
at the Traphagen School in New York City, along with a vast international costume
and jewelry collection, and more than 1,000 other dolls. The school, which included
an exhibition gallery where the dolls were periodically displayed, was founded
in 1923 and was the first-ever fashion school.
For the fans of the early theater greats, fashion aficionados, and doll-lovers
among us, the historical significance of this collection is unquestionable.
The dolls will remain on exhibit for nearly six months. We hope you will have
an opportunity to visit us and have a look at this one-of-a-kind collection
of early artist dolls.
-Jill Gorman
Curator
Didn’t YOUR heart just throb when
you walked into our “Our Heartthrob, Patsy and Family” exhibit?
The sunshine and blue skies atmosphere is so reflective of those nostalgic days
of play and carefree sewing for this little gal that delighted so many little
girls and still does. If you haven’t had a chance to see her and all the
other Effanbee family members with their extensive wardrobes, remember you have
an extra two weeks this year till May 18 to catch it. And don’t forget
to stop by the Museum Store, as we have lots of Patsy and Family dolls for sale,
too; so you can continue to enjoy collecting or sewing for her or maybe involve
your daughter or granddaughter in this timeless endeavor.
It’s as if at any moment one of the Traphagen
actresses might utter a line from “Peter Pan” or break out in a
dusky romantic melody. Our Summer/Fall exhibit features famous actresses dating
from 1865-1932 and is Part II of the Traphagen School of Design . Each of the
actresses is modeled after a well known personality of the stage, and many before
movies or “talkies”. We’ve thoroughly enjoyed researching
them and their works and thank the internet for the easy accessibility of what
today seems quite obscure to most of us.
The ladies are beautifully sculpted and dressed in their own stylish clothes,
rather than as the parts they played, giving a wonderful historical record of
fashions of the time also. We have been collecting and borrowing related ephemera
and a few of their personal possessions. This will truly be a fascinating exhibit
appealing to a broad audience. It will be more on the adult level with a little
bit of “skin” showing (just to warn parents out there), but certainly
no more than the National Geographic! So theater buffs and fashion aficionados
this is your chance! As usual, this important exhibit will run through November
16, 2003. DON’T MISS IT!
Speaking of miss… Next time you visit the Museum or call, you’ll
find a big empty hole and one that will be very hard to fill – Antje is
retiring. After 9 years of loyal service and keeping us all organized and scheduled,
she will already be enjoying a work-free life by the time you read this. We
all wish her and Chuck the very best that life can bring, and we made her promise
she’ll come by often to “check on things” as only Antje can
do. Auf Wiedersehen! (or however you say it, Antje….)
I want to sincerely thank my resourceful staff who have stepped up and volunteered
for the many hats that Antje wore. I’m confident that we will continue
to provide the same great service to our customers and communications with our
vendors that we always strive for.
While one life moves off stage, another moves on. Our Lacee will be graduating
from design school in June and will be working full time as Events Coordinator.
Lacee does a professional job of handling all your event needs, from Birthday
Packages to complete weddings or receptions. Just call or stop in for a chat
or a packet with all the information you’ll need to plan that perfect
event in your life. Lacee makes it effortless for you and enjoyable for your
guests. We have an amazing list of caterers, too, who will make you look good
to your attendees.
Are some of you remembering the old Rosie’s Too lately? We’ve recently
purchased several great collections that are filling the store to overflowing!
Many of you are enjoying the boxes piled high and the anticipation of seeing
what pours out each day as the gals at Rosie’s Too process and put out
at record speed. And watch for us at the doll shows listed at the back of this
newsletter. Eleonora, Nancy, and Carole do a wonderful job for you, selecting
special items for special customers and pricing them so you can afford to collect
that doll of your passion. If you don’t see it, just ask. They are sure
to come up with just what you’re looking for.
This spring Shelley and I are excited to have the dolls taking us to La Conner,
WA to do an exhibit for The Mad Hatter’s Tea Party, to Mt. Vernon, WA
to do a program for the cloth doll makers, to San Francisco, CA for another
great NADDA (National Antique Doll Dealer Assoc.) Show, and to Eugene, OR to
do a program and sales table for the local doll clubs’ Bride Doll day.
Wow! All this and UFDC in July, too. Aren’t dolls the best? Hope to see
YOU at one of these.
My best to you as always,
-Rosalie A Whyel
Director
Welcome To Our New & Returning Members:
|
Rebecca Barnett
Hap Crawford Laurae Dunning Carol A Graham Carolyn A Guiliani Estelle Johnston Carmen L Moxley Laura Reynolds Pat Ross Judith Sanders Lindy Tubby |
Heidi & Paul Clements |
We would like to
thank the following people for their generous
donations during the last quarter:
| Jeffrey Jensen |
| Margarita Krerbol |
| Maxine Neel |
| Lilla R. O’Grady |
| Betty
Parks |
| Linda Sky Crissy doll Crissy doll case and clothing |
| Ruth Sorensen |
| Dorothy Taylor |
We sincerely hope we have not excluded anyone.
Call or stop by for more details or call the
Museum Store:
(425) 455-1116 or toll free at 1-800-440-DOLL.
NADDA NATIONAL ANTIQUE DOLL DEALERS ASSOCIATION* Embassy Suites Hotel San Francisco CA Saturday April 26, 2003 10:30am - 5pm & Sunday April 27, 2003 10:30am - 4pm |
ANTIQUE & COLLECTIBLE DOLL
FLEA MARKET* |
DOLL, BEAR & TOY SHOW & SALE |
COLLECTIBLE DOLL
SALE |
NANCY JO’S DOLL SHOW* |
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*Look for the Museum sales table
| APRIL 1 - MAY 18 2003 |
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| APRIL 12 2003 |
MAY
22 - MAY 24 2003 |
| APRIL 20 2003 |
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| MAY 24 2003- |
JUNE 19 - JUNE 21 2003 |
If you and a group (doll club, senior center, school, scouts, or even your large family) are planning a visit to the Museum, please call ahead so we can better serve you. Timing (so that your group’s visit doesn’t conflict with another one), how to qualify for group rates, special exhibits you may enjoy seeing, and our special greeting at admissions are all things of which we would like to make you aware. Anyone at admissions will be happy to take your call. We look forward to your group’s visit and want it to be the best it can be!
| Josie
By Karen Sue Hopple AMARCS- Volunteer Archaeologist
Picture this... a dedicated group of student and amateur archaeologists led by Julie Schablitsky gathered around pieces of a once finely glazed china doll head... a china doll head we affectionately named Josie. It is the summer of 2000. We are digging in the low rent district of Virginia City, Nevada. Now commonly referred to as Chinatown’s neighbors. We are digging in what we then believed to be a dressmaker’s shop. At first we thought Josie may have been a doll used to model samples of the dressmaker’s work. We now know... through Julie’s research... that at the time of the 1875 fire the shop/house was occupied by a miner/carpenter by the name of Thomas Cooper, his wife Eunice and their three children: Evelin, Ida Jane and George. 36 pieces of Josie were found in the 1875 ash layer. My husband, Ken, and I carefully cleaned the pieces we found and taped her together. Then after the pieces had been catalogued, we glued her together permanently. Though she is not marked as to maker, thanks to Mary Krombholtz, I can identify her with the A.W. Fr. Kister porcelain factory in Scheibe-Alsbach, Germany. She was manufactured in the 1860’s or early 1870’s. Her narrow upper lip is approx ½“ long and turns up ever so slightly at the ends. Her bottom lip is thick and oval in shape. She has a pure white complexion. Her irises are a strong grey-blue (a color which was used by the Kister factory for many years) with a black pupil. The pupil was painted very high on the iris, with a tiny part of it under the slightly molded eyelid. There is a black eyelid line and an orange-red line in the crease of her eye. Only ¼ of an inch of her eyebrow is visible. Her nose is missing. (She hit face first when she broke.) Josie has beautifully molded hair... shining black curls beneath a smooth, center-parted hairstyle known as a modified highbrow. Her body length would have been around 25". She would have had a cloth body with cloth or kid leather limbs. (No china limbs were found.) Her bright shiny glaze has been burned off. The black paint on her molded hair shows evidence of being burned... but you can still make out her beautiful features. Oh, what stories she could tell. Josie is a picture hard to forget. |
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Docent Lends Her Creations Many of you know Arletta Golden as one of the Museum’s original
docents. A beautiful, chic, and eloquent lady who arrived each Tuesday
morning to work quietly in the Rose Room doing whatever odd job we
needed done on that particular day. One would guess she had led a
very interesting life just looking at Arletta, and speaking with her
would invariably lead to fascinating details of her Scottish upbringing,
her English ties, and her modeling and cosmetology career in the U.S.
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